Saturday, February 7, 2009

Michelangelo's Christ - Part 1

I had recorded the following extract from The Agony and the Ecstasy in my diary when I had been a student. Now, it moves to my blog.It captures the moment when Michelangelo was in the thought mode about the statue of Jesus Christ that he had been commissioned to make -

Michelangelo did not feel within himself any of the things that Donatello felt. He had never been altogether clear in his own mind why God could not accomplish by Himself all the things He sent His son down on earth to do. Why did God need a son? The exquisitely balanced Donatello Christ said to him: 'This is how God wanted it to be, exactly the way it was planned. It is not hard to accept one's fate when it had been preordained. I have anticipated this pain.'

Michelangelo thought - 'What went through the mind of Christ between the sunset hour when the Roman soldier drove the first nail through his flesh, and the hour when he died? For these thoughts would determine not only how he accepted his fate, but also the position of his body on the cross. Donatello's Christ accepted in serenity, and thought nothing. Brunelleschi's Christ was so ethereal that he died at the first touch of the nail and had no time to think'

He returned to his workbench, began exploring his mind with charcoal and ink. On Christ's face appeared the expression, 'I am in agony, not from the iron nails but from the rust of doubt.' He could not bring himself to convey Christ's divinity by anything so obvious as a halo; it had to be portrayed through an inner force, strong enough to conquer his misgivings at this hour of severest trial.'

It was inevitable that his Christ would be closer to man than to God. He did not know that he was to be crucified. He neither wanted it nor liked it. And as a result, his body was twisted in conflict, torn like all men, by inner questioning.